Poly-800

Info

poly 800_front

 

NAME: Korg Poly-800

TYPE: Synthesizer

MANUFACTURER: Korg

YEAR: 1983

DAY RATE: 60

WEEKLY RATE: 200

 

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poly 800_back

 

NAME: Korg Poly-800

TYPE: Synthesizer

MANUFACTURER: Korg

YEAR: 1983

DAY RATE: 60

WEEKLY RATE: 200

 

Story


At a time when Roland was doing well with their Juno-series, KORG countered with a poly-synth of their own in 1983 with the Poly-800. The Poly-800 was comparable to the Juno-106 at the time, with respect to the fact that musicians now had access to affordable programmable polyphonic analog synthesizers (it listed for under $1,000) with memory storage, stable DCOs (digitally controlled oscillators) and a new state-of-the-art technology called MIDI (although there was no SysEx implementation yet).

The Poly-800 is an eight-voice instrument (two more than the Juno series) with 64 memory patches (half of what the Juno-106 offered) and up to 50 editable parameters! Like the Juno, the Poly-800 had one DCO per voice, although it did feature a Double mode in which the oscillators could be stacked up for a fuller sound and only four voices of polyphony. The analog filter is a 24dB/oct low-pass which is shared by all voices (the Juno has separate filter chips for each voice). There’s also a stereo chorus effect, chord memory, a simple built-in sequencer, three digital envelope generators (for the oscillators, the noise generator and the filter), and a funky joystick used to adjust the pitch, modulation and the filter.

Unlike the Juno, which was still a “studio” instrument, the Poly-800 was built for the performer. With a light-weight plastic case (only 10 lb.), a couple low-profile sliders/knobs and only 49 keys, the Poly-800 can run on batteries and has guitar strap pegs so it can be worn like a keytar. A less common reversed color keys model was released for a unique look as well.

This particular version has been modded with the Slayer Mod, adding frequency cutoff and resonance control.

 

Specifications


Polyphony – 8 voices (4 when doubled)
Oscillators – 1 DCO per voice (2 when doubled). 1 Noise generator.
LFO – Sine wave only w/ speed & delay and route to osc. or filter
Filter – One 24 dB/oct low-pass resonant filter
VCA – 3 ADBSSR Digital Envelope Generators: DCO, Noise, VCF
Effects – Stereo Chorus, Chord Memory
Sequencer – 256-step polyphonic sequencer with MIDI Start, Stop and Clock.
Keyboard – 49 keys
Memory – 64 patches
Control – MIDI IN/OUT/THRU, Cassette tape interface

Manual

Video


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